Saint, state and stone: the politics of preserving Old Goa’s Basilica de Bom Jesus

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Vishvesh Prabhakar Kandolkar’s new book examines how colonial power shaped the visual and political representation of Goa’s Basilica of Bom Jesus, revealing the role of photography in framing its legacy. Oriana Fernandez explores how the study sheds new light on the basilica’s evolving cultural identity and the ongoing debates over ...

I first encountered the Basilica of Bom Jesus through photographs, as many do. However, Vishvesh Prabhakar Kandolkar’s new book reveals how these images served colonial power – a revelation that transforms our understanding of this UNESCO World Heritage site. Before diving into this study, I recommend readers explore the recent interview conducted by R. Benedito Ferrão with Kandolkar, which charts the basilica’s journey from the pride of the Portuguese to a symbol of Goan cultural identity and heritage.

Commissioned by the Jesuits and constructed between 1594 and 1605, the basilica is one of Goa’s most significant colonial-era churches and houses the remains of St Francis Xavier, a key figure in early Jesuit missionary work. Its Baroque architecture, laterite stone construction, and religious importance have made it a focal point of both Goan Catholic devotion and ongoing debates over heritage conservation practices.

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